![]() ![]() ![]() ![]() It was only a week after its release that Katy Perry began her California Dreams Tour, during which time she filmed her own 3D documentary, Part of Me. Never Say Never became the highest-grossing concert film of all time, raking in almost $100 million worldwide. (Bieber HQ assembled two feature-length docs before he reached his lowest ebb, after which point it assembled a third.) What mattered was that he had fans who turned out in droves to spend a couple of hours with him.Īnd turn out they did. (One early shopping mall appearance resulted in five hospitalisations and an arrest.) It didn’t matter that it had only been a year and nine months since the release of his debut single, or that he had yet to experience any real conflict. Never Say Never was produced by the star’s team as a way to capitalise on Biebermania. The formula was pretty straightforward, relying heavily on home video clips that evinced early musical promise, staged ‘candid’ moments of him and his loved ones, and interviews with just about everyone in his circle. How exactly did this well-coiffed 16-year-old go from busking in small-town Canada to selling out Madison Square Garden? Chu’s film answered that question using what he called a “hyperlink” approach, connecting concert footage to scenes of Bieber’s personal life. It’s been 10 years since Jon M Chu’s 3D documentary Never Say Never caught viewers up on Justin Bieber’s rapid and extremely online rise to stardom. ![]()
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